The Galway Fringe Festival ran for two weeks from 15th to 28th June 2019 alongside the Arts Festival as it has for nine years, promising to give emerging artists, productions, demos and plays from here and abroad a platform and support, as part of over 200 Fringe programmes all over the world. This year there were some award-winning shows and local debuts. There were creative writing readings, music and film incorporated into one-person theatre events, visual arts and pottery fairs.
What is surprising is that, although the Fringe usually provides a mix of appealing, intimate events without the pressure of the mainstream, more commercial festivals, this year saw some cancellations and it appeared that there was not enough attendance by the public. This is a shame as we should support the acts that come to town, even the lesser known ones, and give them an audience. The rather smaller variety of 2019’s line up compared to previous years can only be improved by continuing to support the festival with ticket sales, public volunteering and contributing acts. The acts who do get in have a role in advertising their own events in conjunction with the Fringe doing their best to get the word across. The added competition of NUIG’s 2019 Summer Drama festival being held at the same time did not help attendance numbers.
I was given the suggestion to volunteer my skills in helping with the Fringe festival behind the scenes by a fellow volunteer for Galway Film Fleadh TV. After a three-week stint of training, undertaking interviews, filming and editing for the Fleadh week, this was a more relaxed duty of posting on social media, thinking of ideas for sales, taking door tickets and getting to watch shows. It was nice to meet the Fringe festival artists, such as writer Niamh Nic Aodha Bhuí, whose first-time offering to the Galway Fringe was her piece Unveiling which deals with life, existential questions and suicidal thoughts. A former secondary school student of Dominican College, Taylor’s Hill like myself, she has tried her hand at various art forms since studying in different third-level fields.
At the Fringe, there were a group of work placement students from GMIT studying Tourism, but anyone from any background could and were encouraged to apply as a regular volunteer. Most events took place at Seven bar’s The Loft, De Burgo’s and The Cellar, with some of the visual arts and photography scattered around county Galway. The main office space was located above the Bank of Ireland near Lombard St. The Fringe ends each year with an Awards Ceremony in different categories.
One particularly emotional play was Prodigal by Andrew Carney which depicts an estranged son’s reunion with his father after the funeral of their elder brother and son. The son partakes of a drink, which his father declines as a reformed alcoholic. He makes his son talk to him and they go on to discuss their past life, relationships and family, the effect of the alcoholism on them all and the brusque son’s struggle in the shadow of his late brother.
There was a higher turn out for plays such as Runaway Princess: A Hopeful Tale of Heroin, Hooking and Happiness, and the jaunty literary recap Strolling Through Ulysses! The award-winning Velvet Determination: A Young Pianist’s Journey to New York could have seen more of a crowd despite its delightful recital and true-life account. The Galway Fringe Festival will continue to have sporadic events until later in the year so make sure to follow them online and be ready to do it all again and more next year.